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Islam and science --- Science and Islam --- Science --- History
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Sciences and engineering --- Physical sciences --- Applied sciences --- Engineering --- Aerospace. --- Pure sciences --- Physics --- Optics. --- Computer science.
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Sciences and engineering --- Physical sciences --- Pure sciences --- Physics --- Condensed matter. --- Applied sciences --- Engineering --- Materials science.
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Art --- Theatrical science --- Kunst. --- Theaterwetenschap. --- Performance art --- Belgium --- Brussels (Belgium) --- Pictorial works --- Mail art. --- Langsdorf, Heike. --- Meierhans, Christophe. --- Ragg, Christoph.
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Sciences and engineering --- Physical sciences --- Pure sciences --- Chemistry --- Inorganic. --- Physics --- Condensed matter. --- Applied sciences --- Engineering --- Materials science.
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Medieval culture is marked by a general acceptance of the mental attitude which both recognized and accepted the thruts of the dominant religion. This situation is, then, the 'general paradigm' that programmatically directs the paths and results of the intellectual activity in the Middle Ages. In the various fields of scientific research, in the different epochs and in the manifold social and institutional situations, there are also produced - based on the 'general paradigm' - many 'particular paradigms', which carry out some specified and graduated effects of the general one. The idea pursued during the Congress is an attempt to determine, describe and evaluate the general and particular results the 'paradigm' had on the maturation of medieval philosophical and scientific thought with regard to the relationship between rational inquiry and religious belief.
Faith. --- Religious studies --- anno 500-1499 --- Philosophy, Medieval. --- Science, Medieval --- Rationalism. --- Philosophie médiévale --- Sciences médiévales --- Rationalisme --- Foi --- Philosophy. --- Philosophie --- Philosophy [Medieval ] --- Congresses
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Translating and interpreting. --- Language and languages. --- Computer. Automation --- Translation science --- Mass communications --- Computer architecture. Operating systems --- Human medicine --- Sociolinguistics --- Interpreting --- Audiovisual methods --- Film --- Subtitling. Supertitling --- audiovisuele communicatie --- ondertiteling --- Medicine --- Translations
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La reconnaissance de la sainteté et sa propagation par l’écrit et l’image dépendent étroitement de la conjoncture sociale et politique : les saints ont du pouvoir et le pouvoir a ses saints. Issues du congrès international organisé à Poitiers en 2008, les contributions de ce volume analysent les enjeux du culte des saints dans les stratégies du pouvoir ecclésiastique et laïc en Occident du VIIe au XVe siècle. La représentation de la sainteté et ses usages sont abordés selon plusieurs axes : la légitimation du pouvoir par le prestige des saints du passé ; l’hagiographie instrumentalisée dans les luttes idéologiques et politiques ; le rapport entre l’iconographie, la mise en valeur des reliques et le contexte historique. Ce bilan des recherches récentes jette un nouvel éclairage sur la question fondamentale de l’imbrication du religieux et du politique à l’époque médiévale
Christian church history --- History as a science --- anno 500-1499 --- Hagiography --- Hagiographie chrétienne --- Saints --- Histoire --- Culte --- Histoire des doctrines --- Christian hagiography --- Christian saints --- Power (Social sciences) --- Church history --- Hagiographie chrétienne --- Saints chrétiens --- Pouvoir (Sciences sociales) --- Eglise --- Congresses --- Cult --- History --- Congrès --- Middle Ages, 500-1500 --- Christianity and politics --- Congresses. --- Hagiography - Congresses --- Hagiographie --- Congrès --- Hagiography, Christian
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This book is an imaginary arts hall, a visual rollercoaster showing recent work of artists with activities in Flanders and beyond. It should be considered as an exercise in which one is trying to programme all the artistic actions of the past five years in the same arts hall. Without any wall panels. What do you see? A surprising and astonishing arsenal of images of artists who find worldwide recognition with their work. The question however is whether or not this arts hall is that imaginary after all. All of these cultural activities were not gathered in an actual building, but they do however connect with Flanders, an insignificantly small region as opposed to the world map. Because of the restricted surface – museums, theatres, libraries and concert halls are never further than a one-hour drive away – Flanders is kind of an ideal arts hall. Almost nowhere else in the world is the power and the identity of the creative productivity as inversely proportional to the region in which it comes into being. (bron: achterflap)
architectuur --- cultureel erfgoed --- art [fine art] --- cultural heritage --- Architecture --- kunst --- architecture [discipline] --- Flanders --- toegepaste kunsten --- eenentwintigste eeuw --- België --- Vanfleteren Stephan --- 7.039 --- Theatrical science --- theater [discipline] --- Art --- anno 2000-2009 --- Art [Flemish ] --- 21st century --- Catalogs --- Flanders (Belgium) --- Cultural policy --- art [discipline]
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